![]() Score: Can be found in this compilation of arias: “Sedecia, Re di Gerusalemme (performed in 1705 in Urbino, and brought to Rome the following year by Cardinal Ottoboni for a performance at the Seminario Romano)introduces us into a world of dramatic violence.īuy Seventeen Arias by Alessandro Scarlatti (Medium L at. High resolution and stereo sound: Alessandro Scarlatti (1660 – 1725) “Caldo sangue” Sedecia, Re di Gerusalemme Oratorio in 2 parts Libretto: Filippo Ortensio Fabbri In this recording: Cecilia Bartoli Les Musiciens du Louvre, Marc Minkowski Decca, 2004/2005 Bartoli sings “langue” instead of “manca” at 2:43 time mark, towards the end of the B section. Absorbed: Journals that are combined with another title.Ĭomplete: Journals that are no longer published or that have been combined with another title. Terms Related to the Moving Wall Fixed walls: Journals with no new volumes being added to the archive. ![]() For example, if the current year is 2008 and a journal has a 5 year moving wall, articles from the year 2002 are available. Note: In calculating the moving wall, the current year is not counted. ![]() In rare instances, a publisher has elected to have a 'zero' moving wall, so their current issues are available in JSTOR shortly after publication. Moving walls are generally represented in years. The 'moving wall' represents the time period between the last issue available in JSTOR and the most recently published issue of a journal. New discoveries of musical sources, instruments, and documentation are regularly featured, and innovatory approaches to research and performance are explored, often in collections of themed articles. Each issue contains a wide range of thought-provoking articles on performance practice. ![]() Contributions from scholars and performers of international standing explore every aspect of earlier musical repertoires, present vital new evidence for our understanding of the music of the past, and tackle controversial issues of performance practice. Founded in 1973, it remains the journal for anyone interested in early music and how it is being interpreted today. Description: Early Music is a stimulating and richly illustrated journal that is unrivalled in its field. ![]()
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